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A year in the arts (for a Parish Church)
St Margaret's Barking has had a year in the Arts
which illustrates some of the opportunities and possibilities
that engaging with the Arts can bring. Their curate, Jonathan
Evens, explains.
Our year in the Arts began with a Christmas gift from a local
artist, George Emmerson. For some years
George had been painting the church, churchyard and the ruins
of Barking Abbey and, as he left the borough, presented the church
with a book of these paintings. The book is filled with watercolours
set in intricately painted borders and complemented by historical
information and personal reflections. It is a beautiful reminder
of the history of the Abbey Green site in which St Margaret's
is located and a record of one person's response to that history.
These two strands of the site's history and individual responses
to that history run throughout our year in the Arts.
During the year we have worked together with the Arts services
department of the London Borough of Barking and Dagenham. Led
by Tracey McNulty and Catherine Miller, this team has been responsible
for the A13 Artscape project, one of the most ambitious public
arts projects in the UK. Our first collaboration with them was
Love & Light in which
VJs and digital artists from plugfish filmed and digitally animated
both members of the congregation and the surrounding flora and
wildlife, setting them within delicate moving imagery before projecting
them onto the windows, walls, roof and tower of the church.
Projected onto the clear windows of the church, were moving images
of the local body of Christ at St Margaret's - dancing mums, waving
ladies, an eight piece dance group, the verger and curate racing
each other up the Church Tower, an imaginary teenage rock band,
and a number of other spinning, walking, waving, smiling members
of the congregation. This piece, rightly entitled Abbey Happy,
was the church at play.
Studding this celebration of the congregation were reminders
of Barking's past which drew on memorials contained within the
church. Captain Cook's ship, The Endeavour, sailed again next
to the stained glass window commemorating Barking's fishing heritage.
This window then provided motifs of sea horses, shells and water
that featured in several other projections. The whole was a joyful
celebration, not just of St Margaret's special history, but also
of its lively and diverse present. In it the church was truly
seen as a place of love, light and laughter.
Over the course of the year we have also collaborated with Arts
Services on two concerts for Refugee Week and the Molten Festival
featuring concert pianist Manuel Villet, world music star Jide
Chord and the children's choirs from St Margaret's School and
Watoto Childcare. Music alsoed feature in a taster workshop at
the St Margaret's Centre for the Sonic Spin course which provides
training in Music Technology. Through a printmaking and design
workshop we arranged for young people from local churches to contribute
designs to the Making Barking Brilliant project which will see
these and other designs turned by the artist Dale Devereux Barker
into enamel panels and etched slabs located on walls and streets
in Barking.
Finally, in January 2006 we provided a venue for Re:Generation,
a film and photographic project by Michael Cousin which explored
local people's memories of Barking's past, their feelings about
its present and their hopes and fears for the future. People from
St Margaret's feature in the film and contributed their photographs
and memories to the project. Community involvement has therefore
been a major feature of these projects which attempt to contribute
to the regeneration of the Town Centre and the well-being of its
people.
Anthony Shapland has said of Michael Cousin that, "He successfully
combines the naivety of a child, seeing the world afresh with
a grown-up, stubborn belief that things could be different. He
[creates] a space for contemplation
He is
willing the viewer to look at something with new eyes, to experience
reality refreshed." This could well be a manifesto for our
year in the Arts and for the Lent course we ran during this year
which explored images of salvation from conceptual art, figurative
paintings, and feature films. Discovering spirituality in works
such as Tracy Emin's Bed, Andres Serrano's Piss Christ, Abel Ferrara's
Bad Lieutenant and uncovering models of salvation in paintings
from different periods of Art history was certainly eye-opening
for many.
Our Lent course culminated with the unveiling of an original
painting commissioned for our Youth Chapel. Early
in the morning was unveiled by the artist Alan Stewart and
dedicated by the Bishop of Barking. The painting depicts Christ
cooking breakfast for his disciples by Lake Galilee after his
resurrection, as told in John's Gospel chapter 21. Stewart has
painted a black Christ surrounded by disciples of every ethnic
origin to reflect the diverse congregation that currently worships
at St Margaret's. Through its lakeside setting the pastel painting
also links to the stained glass window in the Youth Chapel commemorating
the fishing industry in Barking.
Early in the morning has been joined in our Youth Chapel by the
second artistic gift we have received this year. During a study
visit to our link parish of Kristinehamn in Sweden we were presented
with an icon of Jesus blessing the children
by the Norwegian painter Kjellaug Nordsjö, who is widely
considered the best contemporary icon painter in Scandinavia.
This icon is a window into Christ's inclusivity and gentleness
and a sign of the welcome that we seek to give to all at St Margaret's.
Our year in the Arts has refreshed our memory of our history,
celebrated the present diversity of our congregation and community,
contributed towards the future regeneration of our town centre,
and created spaces for seeing the world, reality and our faith
afresh. The value of the Arts for us and our community therefore
speak for themselves.
Michael Cousin' Re:Generation exhibition
was at St Margaret's from 14th to 21st January 2006. More information
can be found by clicking here.
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